New Yorker 17小时前
The Politics of Fear
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文章深入剖析了唐纳德·特朗普从童年到总统任期的成长经历和性格特质。作者通过其早年欺凌行为、在军事学校的表现、以及与父亲和律师罗伊·科恩的学习经历,揭示了他“永不示弱,攻击为先”的行事风格。文章特别强调了特朗普早期在“中央公园五人案”中的煽动性广告,以及他如何将“恐惧”作为核心统治策略,影响了其政府的运作方式和对不同群体的态度。尽管面临挑战,文章也指出了社会中存在的抵抗力量。

👑 **早年经历塑造的性格特质:** 文章指出,特朗普从小就表现出欺凌、好斗的性格,即使在军事学校也未改变。他从父亲那里继承了房地产行业的经验,并在律师罗伊·科恩的指导下,学会了“永不示弱,永不道歉,攻击为先,通过恐吓维系忠诚”的生存法则,这些特质贯穿其一生。

📢 **“恐惧”作为核心统治工具:** 特朗普将“恐惧”视为“真正的力量”,并将其应用于政治生涯。他通过制造“我们”与“他们”的对立,让对手感到畏惧。在总统任期内,他对移民、媒体、学者等群体采取打压和恐吓手段,试图通过制造恐惧来巩固权力。

🗣️ **言论与行动的鲜明印记:** 文章以特朗普在“中央公园五人案”中的全页广告为例,展示了他煽动仇恨、要求严惩的态度,并引用了他对一位北卡罗来女孩的承诺:“他们(指敌人)会害怕。”这种将个人情绪和偏见转化为公共政策的模式,是其政治风格的重要体现。

⚖️ **挑战与抵抗并存:** 尽管特朗普的统治风格充满争议,文章也提及了社会中存在的抵抗力量,如拒绝挑战法律的民权组织和法官,以及用艺术和讽刺进行回应的艺术家。文章最后指出,如果更多个体和机构能展现出决心,这种总统的统治并非不可战胜。

📈 **品牌化的攻击与媒体形象:** 特朗普将“无耻”和“攻击性”打造成个人品牌,即使在商业生涯中也常被指控欺诈。他在《学徒》节目中的表现更是放大了这种形象,成为一个乐于看到他人局促不安的CEO。这种通过制造冲突和攻击来吸引注意力的模式,深刻影响了他的公众形象和政治策略。

The young Donald Trump was the Nelson Muntz of Jamaica Estates. (Or was he its Draco Malfoy? Scholars will debate such questions for generations.)

In any case, Trump was, from his formative years, a spoiled bully. The Trump family, whose fortune was made in outer-borough real estate, had a cook and a chauffeur, and “Little Donny” was a pigtail puller, an unruly loudmouth who tormented his teachers and hurled insults and rocks at other kids. When Trump was thirteen, his father, Fred, shipped him off to a military school, in Cornwall, New York. This was just the sort of place, it was hoped, where Donald would mature into a young man of rectitude and self-regulation.

That, in fact, did not happen. Trump made it plain that his delight in domination was the immutable core of him. Marc Fisher, who co-authored “Trump Revealed,” an astute early biography and character analysis, once told PBS that, as a cadet, Trump “used a broomstick as a weapon against classmates who didn’t listen to him when he told them what to do. He was in part enforcing the rules of the academy, but he was equally so enforcing the rules of Donald Trump.”

At home, Trump apprenticed with his father, collecting rents and learning the finer points of discriminatory housing. He eventually came under the tutelage of the attorney and sybarite Roy Cohn. What lessons Trump learned from Cohn were entirely malevolent: Never show weakness. Never apologize, never explain. Attack, never defend. Engender loyalty through intimidation. With his curious coif and self-satisfied expression, Trump made himself a presence in Page Six. Indecency and aggression were his brand. Cruel, narcissistic, duplicitous—the list is long and by now so familiar that even some of Trump’s supporters concede that his most poisonous attributes are, to use the D.C. lingo, baked into the cake.

In 1989, Trump took out a full-page ad in the New York papers after the arrest of five Black and Latino teen-agers who became known as the Central Park Five. (Their convictions for rape were eventually overturned.) His screed resonates as a credo today:

Mayor Koch has stated that hate and rancor should be removed from our hearts. I do not think so. I want to hate these muggers and murderers. They should be forced to suffer and, when they kill, they should be executed for their crimes. . . . I recently watched a newscast trying to explain the “anger in these young men.” I no longer want to understand their anger. I want them to understand our anger. I want them to be afraid.

The ad led Murray Kempton, New York’s greatest columnist, to consider the spectacle of Trump—“the man demeans anything he touches—”as he moved through the big city:

To boast of hating used to be an embarrassment for the worst of people. I knew the Birmingham police commissioner who jailed [the civil-rights activist] Fred Shuttlesworth, again and again. He was always a mean man and now and then a vicious one, but he went to his grave denying that he had ever hated anyone. Time was when people who sent hate letters had the shame to keep themselves anonymous.

But not Trump. His insistence on a message of contempt was not something that he concealed. To the contrary, his hunger for attention was, then as now, embodied by his preposterous signature. As a businessman, he was often accused of cheating his contractors; as the star of “The Apprentice,” he was himself only more so, a puffed-up cartoon C.E.O. who relished making his would-be employees stammer, quake, and cry. As a Presidential candidate, he made his world view clear: there was “us” and there was “them.” And, with him in the White House, the fear factor would prevail. (Or, as he once told Bob Woodward, “Real power is—I don’t even want to use the word—fear.”)

“I’m scared,” a twelve-year-old girl in North Carolina told Trump during his first Presidential campaign. “What are you going to do to protect this country?”

“You know what, darling?” Trump said. “You’re not going to be scared anymore. They’re going to be scared.”

Six months into his second term, Trump has made it evident who “they” are; the population of the unnerved is diverse. (If that word is still legal.) It includes immigrants, university presidents, media executives, the heads of cultural institutions, librarians, scholars, scientists, trans people, government contractors, and dedicated federal employees. Some suffer for the President’s pique and are deported in handcuffs and leg-irons. Some are forced to pay millions in tribute in order to go on conducting scientific research or broadcasting the news. Others must hire lawyers to fend off phony accusations of treason. In Congress, fear keeps the Republican majority in line and causes all too many Democrats to mind their language. Trump once derided his own Secretary of State and national-security adviser as “Little Marco,” and he has been an entirely obedient satrap ever since. The Cabinet is a quivering collection of yea-sayers.

This response brings the President no end of titillation. “They’re all bending and saying, ‘Sir, thank you very much,’ ” he bragged, after certain law firms started making their pitiful arrangements with the White House. “They’re just saying, ‘Where do I sign?’ ”

Fortunately, there are encouraging instances of self-possession in various corners of the country. There are civil-rights groups and judges who have refused Trump’s most blatant challenges to the rule of law. Some artists, too, have set an example. Lately, there is Amy Sherald, who withdrew her solo show scheduled for September at the Smithsonian’s National Portrait Gallery, in Washington, D.C., rather than have her painting “Trans Forming Liberty” “contextualized” by an accompanying video. And then came Trey Parker and Matt Stone’s still vital, still scabrous “South Park,” which recently ran an episode about a naked President, his shortcomings pitilessly exposed.

But, even as Trump’s disapproval ratings climb, the Democratic Party continues to languish; its leadership is woefully scattered and deficient. Still, resolve comes in many forms. Cartoon bullies do not inevitably prevail. If individuals and institutions can muster that resolve in far greater numbers, neither will this President. ♦

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唐纳德·特朗普 政治人物 性格分析 统治风格 美国政治
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