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SB-1047 Documentary: The Post-Mortem
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本文作者分享了制作SB-1047纪录片的经验,该项目历时27周,花费15.7万美元,远超原计划。文章详细分解了资金使用情况,指出剪辑、动态图形和音乐音效是主要开销。延期原因包括:获得额外资金后扩大制作规模、为“The Curve”会议准备中期版本、寻找合适的剪辑师、年底假期、疫情影响以及技术栈重构。作者还总结了项目成果,如YouTube观看时长和X平台播放量,并提出了改进建议:制定更切合实际的时间表和预算、加大市场营销和发行投入、优化内容以覆盖更广泛的受众,并建议优先确定发行渠道和组建成熟团队。

💰 **预算与时间超支分析**:纪录片制作耗时27周,花费15.7万美元,远超最初的6周和5.5万美元计划。超支的主要原因是获得了比预期更多的资金,从而雇佣了更多专业人士,以及为“The Curve”会议准备中期版本导致部分工作无法复用,整体制作流程比预期复杂且耗时。

🎬 **成本构成与制作流程**:开销最大的部分是剪辑(涉及四位剪辑师),其次是动态图形(两人参与)和音乐音效(作曲家及混音师)。制作流程中,前期拍摄、粗剪、精剪、音乐/动态图形/音效制作以及发行洽谈等环节都按顺序进行,其中一些环节如寻找剪辑师、假期、疫情和软件切换都影响了进度。

📈 **项目成果与推广**:该纪录片在YouTube上获得了2.5万次观看和2500小时的观看时长(25%的留存率),在X平台获得10万次播放。影片获得了行业认可,被评价为剪辑精良,并开始提交电影节。作者计划将影片展示给英美议员,以期产生政策影响。

💡 **未来改进方向**:作者建议下次项目应制定更现实的预算和时间表,并预留更多资金用于市场营销和发行,优先通过电影节渠道推广。同时,应在内容制作初期就考虑更广泛的受众,并提前确定发行商和核心团队,以提高效率。

Published on August 1, 2025 9:42 PM GMT

Below some meta-level / operational / fundraising thoughts around producing the SB-1047 Documentary I've just posted on Manifund (see previous Lesswrong / EAF posts on AI Governance lessons learned).

The SB-1047 Documentary took 27 weeks and $157k instead of my planned 6 weeks and $55k. Here's what I learned about documentary production

Total funding received: ~$143k ($119k from this grant, $4k from Ryan Kidd's regrant on another project, and $20k from the Future of Life Institute).

Total money spent: $157k

In terms of timeline, here is the rough breakdown month-per-month:
- Sep / October (production):  Filming of the Documentary. Manifund project is created.
- November (rough cut): I work with one editor to go through our entire footage and get a first rough cut of the documentary that was presented at The Curve.
- December-January (final cut - one editor): I interview multiple potential editors that would work on the final cut, and decide on one candidate who would be the one that does most of the editing (from December to February).
- February-March (final cut - 7 Full-Time Equivalents): I work with a total of 7 seasoned professionals (working full-time) to have a finished documentary by the end of March. This is the most capital intensive period of the post-production phase.
- April: We wait back to hear from multiple distributors about whether they would be interested in publishing the documentary on their platform. Multiple outlets show strong interest (New York Times Op-Docs or Wired) but the content of the documentary doesn't fit publication policies.
- May: The documentary is published on May 5th.

Breaking down how the money was spent:
- Editing was the largest part of the expenses, since I ended up paying for a total of 4 different editors, that have worked from November to March included. From February to March I had multiple editors working on the documentary in parallel.
- Motion graphics was the second largest item, with two people working on motion graphics in February and March
- In terms of music & sound, the documentary used custom music made by a composer, with some of the songs played by real instruments, but also required the work of a seasoned sound mixer, which is why this is the third most expensive item.
- The director salary ended up representing only ~9% of the total expenses, since I had originally planned to pay myself $15k for 10 weeks, but the project ended up taking ~27 weeks instead.

But why did the project end up taking 27 weeks instead of 6 weeks?


Short answer

I ended up getting more funding than I originally had asked for on Manifund, and had to hire many different professionals with that funding. Having to present something intermediary at the conference "The Curve" potentially slowed us down. And a lot of the steps had to happen one after the order, including all of the fundraising, hiring, multiple steps of post-production, on top of the distribution of phase where we had to wait to hear back from potential distributors. All of this considered made that the movie take ~5 months to be ready (and 6 months to be out) instead of 6 weeks.

Long answer 


Impact 

What I would do differently next-time



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