Mashable 19小时前
Babies cant catch a break in film and TV this summer
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《神奇四侠:初露锋芒》中,银河吞噬者加拉图斯要求神奇四侠交出新生儿富兰克林,以换取地球的安宁。这一艰难的“电车难题”引发了公众的争议,有人认为他们的选择是自私的。文章还探讨了2025年其他影视作品中出现的“婴儿危机”情节,如《超人》中莱克斯·卢瑟挟持婴儿,《28年后》中对感染婴儿的威胁,以及《鱿鱼游戏》第三季中将婴儿作为游戏筹码的黑暗剧情。这些情节的共同点在于,反派或群体为了所谓“更大的利益”而将婴儿视为可以牺牲的对象,而主角则挺身而出,捍卫生命的价值和人性的光辉。

👶《神奇四侠:初露锋芒》中的核心困境:面对加拉图斯提出的以新生儿富兰克林换取地球安全的交易,神奇四侠拒绝牺牲家人,此举却引来部分地球民众的指责,认为他们过于自私,未能采取“功利主义”的解决方案,即牺牲一人保全多数。

👶 2025年影视作品中的“婴儿危机”现象:文章列举了《超人》中莱克斯·卢瑟威胁要杀死婴儿以胁迫他人,《28年后》中对一个可能感染病毒的婴儿的杀意,以及《鱿鱼游戏》第三季中为了一己私利而残害婴儿的极端情节,凸显了婴儿在剧情中成为被牺牲或被威胁的弱势群体。

👶 婴儿作为检验人性的标尺:在这些影视作品中,婴儿的安危被用作衡量角色善恶和人性的重要标准。反派或群体将婴儿视为达成目的的障碍或工具,而主角则通过保护婴儿来彰显其善良、人性和道义,从而在观众心中树立英雄形象。

👶 剧情设置的普遍手法与反思:虽然牺牲婴儿的情节能够快速抓住观众的情绪,引发对英雄行为的共鸣,但文章也指出,这种处理方式有时略显生硬,尤其是在《鱿鱼游戏》中。作者呼吁未来的影视作品能给予新生儿更多“喘息”的空间,避免过度使用此类情节。

The Fantastic Four: First Steps presents its titular super team with a nightmarish trolley problem.

Galactus (Ralph Ineson) promises to spare Earth from total annihilation, but only if Reed Richards/Mister Fantastic (Pedro Pascal) and Sue Storm/the Invisible Woman (Vanessa Kirby) give up their newborn baby Franklin.

Of course, Reed, Sue, Ben Grimm/the Thing (Ebon Moss-Bachrach), and Johnny Storm/the Human Torch (Joseph Quinn) refuse these terms. They're not going to sacrifice a family member! Plus, they've got superpowers and brilliant minds. Surely they can find a way to save both the Earth and Franklin.

However, Reed and Sue's decision not to give up their baby goes over terribly with the denizens of Earth. They protest outside the Fantastic Four's headquarters in the Baxter Building, decrying their heroes as selfish.

Pedro Pascal, Ada Scott, and Vanessa Kirby in "The Fantastic Four: First Steps." Credit: Marvel Studios

Oddly enough, that perception of the Fantastic Four as selfish seemed to spill over into the real world as I watched the movie. A few audience members at my screening let out exasperated sighs or threw their hands up in frustration every time Reed or Sue made the very understandable point that no, they weren't just going to hand their baby over to a cosmic entity whose whole job is eating planets. I guess that instead of wanting to see superheroes struggling with moral quandaries and finding a way to save everyone, they'd rather the Fantastic Four had taken the utilitarian way out, thus ending the movie 40 minutes in.

The "save Franklin or save Earth" dilemma is fascinating enough on its own, but it's crucially not the only instance of massive summer film and TV titles having life-or-death beef with babies.

In Superman, Lex Luthor (Nicholas Hoult) holds Metamorpho's (Anthony Carrigan) baby son Joey hostage, promising to kill him if Metamorpho doesn't comply with his demands. In 28 Years Later, Spike (Alfie Williams), his mother Isla (Jodie Comer), and Swedish soldier Erik (Edvin Ryding) witness a woman infected with the Rage Virus give birth to a seemingly uninfected baby girl. Terrified that the baby will become a monster like her parents, Erik threatens to kill her, along with Alfie and Isla if they stand in his way.

Alfie Williams, Jodie Comer, and Ralph Fiennes in "28 Years Later." Credit: Miya Mizuno / Sony Pictures

But the award for Most Baby-Hating Characters of 2025 goes to the players in Squid Game Season 3. (The Fantastic Four: First Steps' protestors come in at a close second.) Halfway through the season, pregnant player Jun-hee (Jo Yuri) gives birth, only to die soon after. The Front Man (Lee Byung-hun) and the VIPs, being the sick freaks they are, decide to keep Jun-hee's daughter in the game in her mother's place, making her the new Player 222.

Do the remaining players try to protect the baby from the hellhole of the games? No way! For them, that baby's death means they get an extra chunk of the prize pot, so they are champing at the bit to murder her. Only Gi-hun (Lee Jung-jae) tries to help baby 222, spending the season's final episodes swaddling her while fending off a crowd of players baying for her blood.

A baby competes in "Squid Game." Credit: Netflix

The Squid Game scenario is by far the darkest of all of 2025's "babies in peril" plotlines, but in essence, it's similar to both The Fantastic Four: First Steps and 28 Years Later's baby plots. People like the game players, the Fantastic Four protestors, and Erik envision the baby as an obstacle to the needs of a larger group. In Squid Game, that group is the players who want more money. Look, advocating for the death of a baby any time is inexcusable, but this is absolutely the most despicable — dare I say, evil — instance of it in film and TV this year.

Then we have 28 Years Later, where Erik speaks for survivors who don't want to deal with a growing population of infected. His fear of infection may be understandable, but the baby isn't infected at birth, suggesting that the same goes for all other infected offspring. Once again, trying to kill a baby? Bad!

Finally, in The Fantastic Four: First Steps, the anti-baby group is the entire population of Earth, who don't appreciate their collective lives being weighed against that of one child. Even Reed acknowledges that giving up Franklin would be an "ethical" solution. But that still doesn't make the possibility of sacrificing your child to a space god any less awful, nor does it rid Reed, Sue, Ben, and Johnny of the emotional baggage of that choice.

Thankfully, all these babies, including Superman's Joey, survive their dangerous circumstances, with 28 Years Later's baby and Squid Game's baby getting the last laugh and outliving their would-be killers.

Saving babies in film and TV is nothing new — remember when 2023's The Flash stuck a baby in a microwave to protect it? (I wish I could forget.) It's a surefire way to get audiences on a hero's side. After all, babies are the ultimate innocents, deserving of total protection. (In 2022, donkeys, of all things, occupied a similar role in three awards season contenders.)

But the focus of these scenes in The Fantastic Four: First Steps, Squid Game Season 3, 28 Years Later, and, to a lesser extent, Superman isn't just on heroes saving babies. It's on people trying, horribly, to justify the theoretical deaths of these babies for the greater good, and the protagonists stepping in to prove their undeniable good and humanity.

In the case of characters like Galactus, Lex Luthor, and Squid Game's game heads, VIPs, and the more bloodthirsty players, audiences already know they're bad guys. Throw a baby in the equation, though, and you're drawing an even clearer line in the sand between heroes and villains. Sure, it's not subtle — in Squid Game in particular, it feels like you're being hit over the head with a hammer — but it immediately raises your hackles and makes every bone in your body think, "That's wrong, and I need to see someone put a stop to it." And guess what? Someone does exactly that in all four of these major summer titles. But next summer, I'm really going to need film and TV to cut these newborns some slack!

The Fantastic Four: First Steps is now in theaters.

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神奇四侠 婴儿危机 影视伦理 人性探讨 超级英雄
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