New Yorker 07月17日 18:21
“Double Time for Pat Hobby”
index_new5.html
../../../zaker_core/zaker_tpl_static/wap/tpl_guoji1.html

 

本文讲述了编剧Pat Hobby在好莱坞的潦倒经历。为了维持生计,他在两位制片人DeTinc和Dasterson之间周旋,利用自己有限的经验和狡猾的手段,试图在被遗忘的电影项目中找到一份工作。然而,他的日子并不好过,常常在办公室外等待,靠酒精和赌马度日。一次,他因“技术专家”的身份被Dasterson雇用,但他的专业知识却因对“破坏活动”的误解而显得荒谬。最终,他被Dasterson和DeTinc的医生识破,面临着牢狱之灾,故事以一种不确定的结局告终。

💡 Pat Hobby在好莱坞的困境中,为了生存而游走于不同的制片人之间,试图在被搁置的电影项目中找到工作。他经常在办公室外徘徊,利用有限的资源和策略来维持生计,显示出他在行业中的边缘化地位和挣扎。

🐎 Pat Hobby的生活方式充满不确定性,他依靠酒精和赌马来逃避现实,即使获得了工作,也常常因为赌博和不靠谱的行为而迅速挥霍掉收入。这反映了他生活中的颓废和对未来缺乏规划。

🚢 在被Dasterson雇用为“造船厂技术专家”时,Pat Hobby的无知和误解(将“破坏活动”与“安息日”混淆)暴露了他专业知识的匮乏。这种滑稽的误会不仅凸显了他作为编剧的业余,也为故事增添了讽刺的色彩。

🕵️‍♂️ Pat Hobby最终被Dasterson和DeTinc的医生识破,他的身份和行为引起了怀疑。医生通过观察和辨认,揭露了Pat Hobby的真实处境,为故事走向了一个充满不祥预兆的结局,暗示他可能面临法律的制裁。

This is the third story in this summer’s online Flash Fiction series. Read the entire series, and our Flash Fiction from previous years, here.

“Double Time for Pat Hobby” was filed in the Fitzgerald Papers at Princeton University for many decades, with no title. It was identified, by Anne Margaret Daniel, as a complete Pat Hobby story, written in the summer of 1940, and appears here for the first time. It is published with the authorization of the Trustees of the Estate of F. Scott Fitzgerald.


If Mr. DeTinc continued to collapse, everything would be all right. When he ordered the prop department to mount an anti-aircraft gun on his bungalow, it looked as though the time had come, but the matter was hushed up, and Mr. DeTinc struggled onward through the labyrinth of production.

Sometimes Pat Hobby dreamed of sneaking in, seizing the Benzedrine pills on Mr. DeTinc’s desk, and cramming them down his throat all at once. He visualized the producer stuffed with Benzedrine, racing madly around and around his office, producing and producing until he collapsed. Then a long rest for DeTinc—utter forgetfulness, a slow, step-by-step recovery with frequent daily relapses, slip-backs, convulsions and comas . . . and Pat still on the payroll of a picture that had been abandoned a month ago.

“What are you writing on?” Pat was asked in the studio commissary. Or, “What producer you working for?”

He had two cautious answers. Either he was just starting work and didn’t know yet, or else he had just finished a job. Meanwhile, he lay low. Three times a week, he appeared in DeTinc’s outer office, showed himself to the secretaries, sat down for a minute—more often than not next to DeTinc’s doctor, who waited, bag on knee. When the doctor was admitted to the presence, Pat took advantage of the slight commotion to disappear. Then: a half pint of gin from the drugstore across the street, and Santa Anita for the day.

But the jockeys were terribly corrupt that summer, and the two-fifty a week he received for lying low flowed swiftly into the pocket of Louie, the studio bookie. On the day that Pat met Jim Dasterson in the barrier, he had less than a dollar in one pocket and an ounce of gin in the other. Bleak and crimson-eyed he stood under the revealing California sky looking every year of his forty-nine.

“You look like hell,” Dasterson said sympathetically. “Got a job?”

Offended, Pat started to say that he was employed—but thought better of it. Dasterson, a fellow-writer from better days, was a producer now.

“You ought to get a new hat,” Dasterson said.

He was not a kindly man but he spoke in the glow of a brilliant three-horse parlay.

“I’ll give you a job on a picture,” he said. “Did you ever work in Poland or a law office or a shipyard?”

“I worked in a shipyard,” Pat said, “in Newport News during the war.”

“O.K. You’re the technical expert on shipyards. Two weeks at seventy-five, Pat—how’s that?”

Pat pretended to hesitate.

“I can ask my agent.”

“There he is,” Dasterson said, pointing suddenly.

As Pat turned to look, Dasterson raised his knee abruptly into Pat’s rump.

“Your agent!” he said contemptuously. “Don’t pull that stuff on me! No agent would handle you. Come around to the lot tomorrow.”

Pat was not proud. He could take it. He could take everything. He had never had two jobs at once before, but what could you do, with the jockeys selling out and pulling their horses. The next day he reported to Dasterson’s studio and was referred to the writer on the picture.

Pat had indeed worked in a shipyard once, but he was handicapped by his impression that sabotage had to do with neglect of the Sabbath day.

“Oh, the welders always went to church,” he declared, “Except that on most Sundays they went to Sloppy Sam’s or Bad Annie’s.”

“I’ll tell you what,” Mr. Dasterson’s writer said hastily. “I don’t need that dope yet—I’m working out the love story. Leave me your phone number and I’ll get in touch with you later.”

Long sunny afternoons at Santa Anita. Fat half-pints sagging comfortably in his back pocket. Did he have a job? Let them ask now and he could afford to shake his head and smile, for he had two. After years of neglect, an Indian summer of prosperity had come at last. On alternate mornings he visited the two studios, reporting one day to Mr. DeTinc’s office and the next to Mr. Dasterson’s. He knew that, so long as he kept calling, he would always find the two men busy—in fact, the more he called the less likely he would be to see them. And this would have been fine if he had not called on Mr. Dasterson the day the wall of his office was being repaired.

A face kept regarding Pat through the broken plaster between the anteroom and the inner sanctum. It was a face he had seen before yet could not place.

The face passed and repassed the chink in the wall and each time looked curiously out at Pat. There was something a little uncanny about it, and he was about to withdraw to pleasanter pastures when the buzzer clicked on the secretary’s desk.

“Mr. Hobby.”

“Yes.”

“Wait one minute, Mr. Hobby. Mr. Dasterson wants to see you.”

Pat waited, squirming a little. Again he saw the face approaching the broken plaster. This time whoever was behind it raised a finger and tore the wallpaper a little so that they could better see.

“All right, Mr. Hobby.”

With a faint dew of sweat on his forehead, Pat went inside.

Dasterson received him jovially.

“Well, old-timer—how’s the research expert? Telling Rohnson all about the shipyards?”

Pat looked behind quickly. Apparently no one else was in the office.

“Just sit down there,” Dasterson said, indicating the sofa. “Tell me how you’re going. Turn your face to the right, will you.”

Again Pat clanked around.

“What is this?” he demanded. “I don’t get it.”

“Little more against the light—there.” He raised his voice. “All right, Breine.”

From the little washroom emerged the face that Pat had seen through the chink, a face he would still not have identified if the man hadn’t walked to a table and put a bag thereon. It was Mr. DeTinc’s physician.

“It is him?” Dasterson asked with a grin.

“I think so,” the doctor said. “I know I’ve seen him before and now I think I know where.”

Jail loomed, prison doors yawned. ♦

Fish AI Reader

Fish AI Reader

AI辅助创作,多种专业模板,深度分析,高质量内容生成。从观点提取到深度思考,FishAI为您提供全方位的创作支持。新版本引入自定义参数,让您的创作更加个性化和精准。

FishAI

FishAI

鱼阅,AI 时代的下一个智能信息助手,助你摆脱信息焦虑

联系邮箱 441953276@qq.com

相关标签

Pat Hobby 好莱坞 编剧 F. Scott Fitzgerald 职业困境
相关文章