Mashable 06月28日 17:45
Phineas and Ferb creators Dan Povenmire and Jeff Swampy Marsh reveal the ultimatum that made the show fans love
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本文讲述了动画片《飞哥与小佛》的创作历程,从最初的构思到最终的成功,两位创作者Dan Povenmire和Jeff "Swampy" Marsh经历了长达16年的坚持。文章揭示了在创作过程中,他们如何为了保持作品的独特性和完整性,与迪士尼高层进行博弈。最终,他们赢得了创作自由,使得这部动画片赢得了观众的喜爱,并在多年后重返荧幕,展现了其持久的魅力。

🤩 创作的漫长历程:在《飞哥与小佛》于2007年首播之前,Dan Povenmire和Jeff "Swampy" Marsh花了13年时间来推销这个项目,并经历了3年的开发期。他们坚守最初的创意,确保了剧集与最初的设想保持一致。

🤔 捍卫角色形象:迪士尼高层曾建议修改角色设计,以使其更具吸引力。Povenmire坚持自己的创作理念,威胁要退出项目。最终,迪士尼尊重了他们的创作,保留了原有的角色形象。

🗣️ 争取剧情的真实性:创作者们力求在剧中反映现实生活,他们坚持使用“离婚”一词,并探讨了赡养费的话题,以反映现实生活中家庭的多样性。他们认为,这样的内容能让孩子们感受到被理解和尊重。

😂 幽默面向多元观众:创作者们坚持在剧集中融入多元化的幽默元素,即使这些幽默可能超越了儿童的理解范围。他们意识到,一部好的动画片也需要吸引家长、长辈等不同年龄段的观众。

Looking at the unbridled success of Phineas and Ferb, it's hard to imagine a time when creators Dan Povenmire and Jeff "Swampy" Marsh had to battle for its existence and integrity.

The Disney Channel series, which premiered in 2007, ran for 137 episodes across four seasons and sparked two made-for-TV movies, as well as video games. The characters became iconic in their own time, and again in memes years later as the child fans of the show grew to be TikTokking adults. When Disney+ launched in 2019, the show soon became a favorite on the streaming service, years after the Season 4 finale. So, the studio asked Povenmire and Marsh to come back for a fifth season, 10 years after Season 4 wrapped! 

To celebrate the launch of Season 5 of Phineas and Ferb, the show's animated creators (or the animated show's creators) came by the Mashable studio for our Say More interview series. You can watch the whole interview on YouTube. Below, we dive into some of the wildest stories of the show's success. 

Phineas and Ferb was a dream project for 16 years before it premiered. 

Perry the Platypus has a rocket strapped to his back in "Phineas and Ferb." Credit: Disney+

On the Say More couch, Povenmire and Marsh recounted how they pitched the series for 13 years while working on other animated series like Family Guy and Rocko's Modern Life. It took another three years in development before the show's premiere on the Disney Channel. 

In all that time, the pair were committed to their concept. Today, they are still proud to say the pilot was "the exact same show" that they'd pitched for all those years. But making the Phineas and Ferb they dreamed of didn't come without some battles — including one over their triangle-headed hero's signature look. 

Dan Povenmire's ultimatum saved Phineas' face.

Phineas stands on a school desk in "Phineas and Ferb." Credit: Disney+

"A friend of mine told me once," Povenmire said, "that the most amount of power you can have in Hollywood as a creative — as somebody who's not holding the purse strings — is to maintain the ability to be OK to walk away from something. Know where that line in the sand is and just say, 'OK, no, no, thank you.'"

Sharing a moment when he almost walked away, he continued, "We didn't have to use that very often. But there was a time when the pilot tested really well." And yet Disney executives pitched changes anyway, including redesigning the characters to make them "more attractive." After three meetings with such notes, Povenmire had had enough. 

He recalled, "I finally pulled one of the executives aside and said, 'You know, you can make whatever show you want, because you bought it. It belongs to you. But if you want me to come work on it, it's gonna have to be the show I pitched you. Otherwise, I'll just stay at Fox this year [working on Family Guy], and you guys can make the show.

"I wasn't mean about it," Povenmire noted, "I was just like, this is the show I want to make. I don't want to make some other version of it. [After that], they sort of just started deferring to us for everything." 

On why they felt capable of saying no in the face of such studio pressure, Marsh mused, "Probably because we'd already pitched it for 13 years. The urgency was gone. We'd waited this long." 

Still, there were other battles ahead. Marsh explained, "The things that we fought for was stuff that we really believed in. And most of it was about — I think for us — it was trusting that the kid audience was smart — smarter than most people gave them credit for. So those tended to be the things that we leaned into, that we thought were worth fighting for."

He added that fans appreciated that trust, saying, "It's nice that [for] almost every one of those things, we've had multiple people come to us and go, 'I want to thank you for this.'"

Povenmire and Marsh fought for divorce and alimony to be a part of Phineas and Ferb

Candace and her mom talk in front of a wall of family photos. Credit: Disney+

On the show, Phineas and Ferb are stepbrothers, with Candace and Phineas' mom having married Ferb's dad. This blended family wasn't a problem to Disney execs. However, actually using the word "divorce" on the show was. 

"We weren't aware that the word 'divorce' had never been used on the Disney Channel [shows] before," Marsh explained. "Somebody had said, 'You know, we can't say that.' And my personal situation, my mom's currently on husband number seven... It made that [note] really personal for me. And I'm like, 'Look, half of your audience is living in a situation that you're saying is so horrible that the word is not utterable. You can't do that.'" 

Povenmire added, "They were like, 'What happens if one of our audience members, their parents are going through a divorce?' I said, 'I'm sure that's the case.' They said, 'Well, what happens then?' I was like, 'Then they'll feel seen, they'll feel represented.'" 

Marsh continued, "And we had a couple of really great executives working with us, really championing the show, who really listened to us, listened to the arguments, and come back to say, 'You've made really great points. Go for it.'"

However, Povenmire noted, "Then, the very next episode, we wanted to say that Doofenshmirtz was getting alimony from Charlene because she was independently wealthy. And then we had to go through three or four more meetings to see if we could say the word alimony in the show." 

In end, they could and did. 

Phineas and Ferb was never just for kids.

Phineas and friends sing in their classroom on the last day of school. Credit: Disney+

Marsh noted a recurring concern for Disney was that the humor of Phineas and Ferb might "go over the heads" of the target audience of children. ​​He explained, "We had to say, that's OK. We're also acknowledging there are parents in the room, or aunts and uncles or grandparents, or whoever it is, and it's OK that there's stuff in there for them too."

Povenmire added, "Then 40% of our audience became adults, and they stopped giving us that note." 

Looking back on these battles to make Phineas and Ferb the success that it is, Marsh reflects, "In hindsight, I'm really grateful that it took us 13 years to sell the show, because in that time, I think we changed. We grew. Our reputations were a lot better, and we also knew how to argue for what we believed in better. We were much more effective at being advocates for the things we believed in, that I don't know if we'd have been able to do back when we first started. So it all worked out at the right time, the right way." 

For more on Phineas and Ferb from Povenmire and Marsh, check out Say More's full interview on YouTube. 

How to watch: Phineas and Ferb Season 5 is now streaming on Disney+.

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