在《28年后》这部备受期待的电影中，导演丹尼·博伊尔和编剧亚历克斯·加兰重聚，延续了他们2002年开创性的电影《28天后》的风格。影片采用了包括20部改装的iPhone 15在内的多种摄像设备，以捕捉博伊尔标志性的2.76:1宽银幕画面。演员们分享了在iPhone镜头下拍摄的感受，认为这种方式既有侵入感，又能让他们更专注于当下。博伊尔解释说，使用iPhone是为了顺应科技发展，并保持电影的真实感。影片还使用了其他专业摄像机和无人机，最终通过统一的画面格式实现了视觉统一。《28年后》已在影院上映，《28年后：骨庙》计划于2026年1月16日上映。

📱 电影《28年后》的关键场景使用了iPhone 15进行拍摄，导演丹尼·博伊尔和摄影师安东尼·多德·曼特尔沿用了《28天后》的拍摄手法，并结合了多种摄像机，包括20部改装的iPhone 15。

🗣️ 演员们表示，使用iPhone拍摄让他们感到既脆弱又必须专注于当下，但很快就适应了这种方式，并认为这创造了一个良好的工作环境。亚伦·泰勒-约翰逊提到，iPhone的近距离拍摄方式具有一种“展示一切”的特质。

💡 导演博伊尔解释了使用iPhone的原因，认为这是对科技进步的顺应，并希望保持电影的真实感。iPhone的轻便性使得剧组能够到达英国的偏远地区进行拍摄。影片还使用了其他摄像机，如Panasonic EU123和配备6K摄像头的无人机，并通过2.76:1的宽银幕格式统一了视觉效果。

🎬 对于年轻演员阿尔菲·威廉姆斯来说，使用iPhone拍摄电影是司空见惯的事情，这对他来说是“正常的”。

One of the scariest films of the year, 28 Years Later, used iPhones to film key scenes.

Director Danny Boyle and screenwriter Alex Garland reunite almost 28 years after their groundbreaking 2002 film 28 Days Later, delivering a gloriously horrifying cinematic experience in their latest film.

Also returning is cinematographer Anthony Dod Mantle, whose use of digital camcorders defined 28 Days Later. Here, Boyle and Mantle use a host of cameras, including 20 adapted iPhone 15s, all deployed to capture Boyle's go-to 2.76:1 widescreen aspect. But what effect does this produce in 28 Years Later, and what does it mean for the actors in front of the many lenses?

Mashable entertainment editor Kristy Puchko sat down with Boyle for Mashable's Say More podcast, and UK editor Shannon Connellan spoke to 28 Years Later stars Aaron Taylor-Johnson, Jodie Comer, and Alfie Williams to understand more about making a major horror film using iPhones.

"When someone puts an iPhone very close, it's a bit intrusive. You feel kind of vulnerable, and you can't hide. There's a quality about it that just shows everything, and it meant we had to feel very present in the moment," says Taylor-Johnson. "You got used to it very quickly, and it became such a great environment to work around."

"Technology’s moved on, and we thought, we’ve got to move on and yet we want to respect that instinct which is to use the ordinary in some way. So it feels like it’s something that’s come from the place that the story is about. And of course, we’ve all got the phones now so we decided to use them," Boyle says.

"They’re lightweight, they now record at 4K, but they allowed us to visit places, remote places, in the UK, with a very light footprint," he adds. "But we used a lot of cameras. We didn’t just use the iPhones… there’s a red sequence in it that’s used this special Panasonic camera, the EU123. We used drones, which use 6K cameras. And we unified everything with a format, with a 2.76:1, which is a widescreen format, which you can do now with all these cameras."

As for teen newcomer Williams, who plays 12-year-old Spike, the experience of making films on iPhone is pretty standard for his generation. "This was normal for me," he says.

28 Years Later is now playing in theaters. 28 Years Later: The Bone Temple is slated for theatrical release on Jan. 16, 2026.