丹尼·博伊尔导演的《28年 Later》采用了与众不同的拍摄方式，使用iPhone和无人机进行拍摄，以追求更轻便和经济的制作。他甚至将摄像机绑在动物身上进行拍摄，以捕捉独特的视角。这种实验性的方法也使拍摄团队更容易在英国诺森伯兰郡的野外环境中移动。尽管这种方式在好莱坞并不常见，但它为电影带来了新的视觉体验，并降低了制作成本，电影将于6月20日上映。

📱 丹尼·博伊尔导演在他的僵尸续集电影《28年 Later》中，为了追求与众不同的视觉效果，采用了实验性的拍摄方法。

🐐 为了获得独特的视角，导演将摄像机绑在动物身上，包括山羊，虽然这个镜头未被采用，但导演尝试将摄像机绑在一种被称为“Slow-Low”的变异感染者身上。

🎥 为了拍摄电影中的追逐场景，导演使用了iPhone和无人机，而不是笨重的高科技设备。他指出，现代智能手机可以拍摄4K视频，足以满足电影放映的需求。

💰 使用iPhone拍摄不仅带来了新的拍摄视角，也降低了制作成本，使拍摄团队更容易在诺森伯兰郡的野外环境中移动。

Director Danny Boyle said he strapped a camera to farm animals while filming "28 Years Later."The director used iPhones and drones to shoot footage because they were lightweight.Boyle said this also made filming "way, way cheaper."

Many Hollywood directors use expensive cameras to film their blockbusters. Danny Boyle's approach to filming his zombie sequel "28 Years Later" was a bit more… experimental.

"We did strap a camera to some animals a couple of times — yeah, a goat," Boyle told Business Insider.

The director, whose 2002 horror classic "28 Days Later" was shot on digital cameras for a deliberately lo-fi look, was keen to take a similarly unconventional approach with his follow-up film two decades later.

The movie, written by Alex Garland, follows 12-year-old Spike (Alfie Williams) as he leaves his secluded island home for the first time with his father, Jamie (Aaron Taylor-Johnson), and comes face-to-face with hordes of people infected with the Rage Virus.

To capture their terrifying encounters with zombies, Boyle told BI he relied on iPhones, drones, and yes, those goats. While Boyle said the goat shot didn't make it into the final cut, the tactic prompted him to try strapping a camera to a new variant of the infected, called the "Slow-Low," which crawls on the ground eating bugs.

"Having done it with the goats, you then think, 'Oh!'" Boyle said. That Slow-Low shot made it into the film — and into the trailer, too.