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I quit my high-paying product management job to become a full-time artist. My tech skills have helped my business soar.
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本文讲述了一位前科技产品经理凯蒂·麦高恩 (Katie McGowan) 辞去高薪工作,全职投入艺术创作的故事。她通过合同工作为艺术事业提供资金,验证市场需求,并利用科技技能实现业务自动化,从而推动了艺术事业的增长。文章详细介绍了她如何通过展览、社交媒体和A/B测试来扩大影响力,最终实现从兼职到全职艺术家的转变。 麦高恩的案例为那些希望将兴趣爱好转化为可持续事业的人提供了宝贵的经验。

🎨 凯蒂·麦高恩在2024年4月辞去了高薪产品经理合同工作,全身心投入艺术创作。此前,她通过合同工作为艺术事业提供资金,并在业余时间进行创作,以此验证市场需求。

💡 她利用在科技行业积累的技能,例如网站迁移、整合打印服务等,优化了业务流程,提高了效率。通过Shopify平台,她实现了印刷订单的自动化,从而节省了时间和精力。

📈 麦高恩通过举办个人展览获得了市场认可和信心,并积极利用Instagram的“试用Reels”功能进行A/B测试,不断优化内容,最终获得了大量关注。在30天内,她的Instagram内容获得了530万次浏览。

💰 她在艺术事业上取得了显著的财务成就。在辞职后,她的艺术事业在4月份创造了超过16,000英镑的收入,主要来自原创作品和版画销售。她计划继续拓展业务,包括推出限量版印刷品,并提高原创作品的售价。

Katie McGowan with her art.

I began my corporate career in data and later transitioned into product management in tech.

Running my own creative business was a goal I always kept in the background — something I hoped for, but didn't always believe was realistic. Over the last year, I made a few shifts that helped me grow a personal passion into a sustainable venture.

In April, after eight years of working in the corporate world, I left my £550, or around $750, a day, product management contract to become a full-time artist.

Now, I'm working from my new studio, running a profitable creative business, and finally spending more of my time doing what started this all — painting.

Funding my creative business through contract work

After taking a voluntary redundancy, leaving full-time employment in the summer of 2024, and taking a few months to travel, I transitioned to contract work for a retail company.

I only had to give four weeks of notice. That freedom allowed me to build my creative business on the side, validate demand, and leave on my own terms when the time was right.

Outside my contract work, I painted and gradually started shaping the operational side into something more structured. I had always loved painting, but I reconnected with it after taking an art course in London shortly after graduating from university, and it continued as a personal hobby.

Investing in myself

In February, I decided to fund and run my own solo exhibition. It was a risk, both financially and creatively. I'd never done anything like it before, but I felt it was the right time to give my art the attention it deserved.

That exhibition was a turning point for me — I sold four paintings in one month. It gave me the traction I needed, but more significantly, it gave me the confidence to fully commit to this career.

Within 10 weeks of the exhibition, I made the transition to working as a full-time artist.

Scaling for growth

In April, I made over £16,000 in revenue from my art business, a mix of original works and a large proportion of print sales.

I migrated my website to Shopify in 2024 and integrated a print-on-demand partner, allowing me to automate print orders from start to finish. This meant higher fees and a new learning curve in the short term, but ultimately, it freed up my time and allowed me to streamline my manual processes.

Today, print sales contribute significantly to my income and continue to generate passive revenue, even when I'm offline. The rest of my income comes from original commissions.

A/B testing for creatives

I discovered Instagram's 'trial Reels' feature, which lets creators test new content before sharing it. This felt like A/B testing, which I had done for years in product management.

I experimented with different content, adjusted visuals, and monitored performance. I used the same mindset I had as a product manager, but now I was using those same tools to grow my creative audience.

It took some time to learn what worked, but once I found my rhythm, everything began to scale. In the past 30 days, my Instagram content has amassed 5.3M views.

I even had Meta reach out to arrange a call because I was engaging so consistently on the platform. Before long, I had to close the sign-up list for commissions and put a pause on my waitlist.

When I knew it was time to quit

More important to me than a revenue number was the consistency — this wasn't a side hustle anymore. I had systems in place, enough traction to keep growing, and clarity about my goals.

As I'm based in the UK, health insurance wasn't a concern for me, and I've continued with my previous monthly savings and investment goals toward home ownership.

What life looks like now

May was my first full month as a full-time artist. I moved into a new studio and finally have space to work at the scale and pace I've always wanted.

My days are still structured, but the work is completely different from my past career, and most excitingly I'm building something that's fully mine.

Everything I learned in tech has come with me. I run my art business the same way I operated in tech: test often, iterate fast, automate what you can, and focus on delivering value for customers. But now I feel like I've come full circle and finally get to devote more time to painting — the reason I started this in the first place.

What I've learned

My career pivot has taught me many things.

    Creativity doesn't have to be chaotic. Even when my business was small, I treated it like a business — investing in systems, testing ideas, and using data to grow.Leverage existing skills. My tech background helped me automate processes, test ideas, and assess new opportunities.Create your own opportunities. Rather than waiting for permission, I self-funded a solo exhibition that built momentum and solidified my belief in what I was doing.Change doesn't require dissatisfaction. I enjoyed my career in tech but wanted more autonomy and a fresh challenge.I didn't wait for perfect timing. I waited until I had real traction and then made a clear, considered exit.

The transition from a corporate career to creative entrepreneurship doesn't happen overnight

It takes time to learn, adjust, and make the right moves at the right time.

In September, I'm going to Florence to study art, and I'm also planning my next exhibition in London.

This summer, my goal is to continue building on the growing demand for my work by launching limited edition print drops — and ideally selling them out — and beginning to sell my original pieces for £10,000 and above.

I'm grateful for my previous career and the invaluable skills it provided — the skills I continue to use in running my creative business today.

Do you have a story to share about turning a side hustle into a full-time gig? Contact this editor at lhaas@businessinsider.com.

Read the original article on Business Insider

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