深活方式 05月14日 20:10
五月深圳最值得期待的音乐节来了!
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第九届明天音乐节将于2025年5月16-18日在深圳华侨城创意文化园B10现场举行。本届音乐节汇集了来自世界各地的实验音乐家,包括Richard Bishop、uSSSy、Mathew Ngau Jau & Salomon Gau、Ün、Petbrick、上田纯子、Clandestine Trio等。音乐节不仅有精彩的演出,还将举办Chris Corsano的打击乐讲座以及放映纪录片《新音乐:纽约前卫之声1971》,为观众带来多元化的音乐体验。本届音乐节旨在探索声音的边界,打破音乐的传统分类,为观众呈现一场充满实验性和创新性的音乐盛宴。

🎸Richard Bishop:作为Sun City Girls乐队的核心人物,他的吉他演奏融合了印度、中东和北非等地的音乐元素,展现了独特的跨文化探索。

🥁uSSSy:来自莫斯科的实验噪音摇滚乐队,将噪音摇滚的狂暴、东方迷幻乐器和复杂节奏巧妙结合,创造出独一无二的听觉体验。

🎶Mathew Ngau Jau & Salomon Gau:来自马来西亚砂拉越的肯雅族音乐家,通过沙贝琴合奏和吟唱,展现婆罗洲雨林深处的神秘旋律,传承本土文化。

🎤Ün:马木尔的第八支乐队,风格冷淡、后工业,乐队将通过B10现场的四声道系统,为观众带来一场沉浸式的声音体验。

🔊Petbrick:由Wayne Adams和Iggor Cavalera组成的双人乐队,融合电子实验、硬核态度和反乌托邦式的压迫感,打造对抗加速时代的“声波武器”。

tmrfest 2025-05-12 15:12 广东

第九届明天音乐节

2025.5.16-18 深圳华侨城创意文化园 B10现场

第九届明天音乐节 · 阵容预览 9th Tomorrow Festival Line-Up Preview

剪辑 Edit:黄正越 Zane Ng    动效设计 Motion Design:吴懿霖 Wu Yilin

* 推荐全屏观看 *



迷 途 之 歌




我们一直在偏离轨道。


如果有人声称在过去的十一年里,每一届都听得很开心,那应该是一个可爱的意外。


也许他们只是被音乐施了魔法,将感受定格在了某个难忘的瞬间,而忽略了那些被冒犯的时刻——记忆的偏离足以平息一切不快。


火柴一根接着一根,仍无法照亮比“眼前”更远的路。于是我们只能一再偏离,直到迷宫落成。


这种“偏离”会成为一种无趣的标签吗?也许会的。


不过这已经影响不到一个漫游者在迷路时喜悦的心情了。





策 划 人  /  涂 飞






▲ 排期表可点击放大及保存至手机相册 ▲



从 Sun City Girls 颠覆摇滚框架的迷幻地下实验,到独奏的跨文化探索与极致即兴,Richard Bishop 的吉他不仅是乐器,更是穿越时空的声学考古工具。

生于 1960 年的 Richard Bishop,最为人所知的是他在乐队 Sun City Girls 中长达 26 年的参与经历。作为一名实验性独奏吉他手,他的作品常常能带你穿越印度、中东、北非等一个又一个吉普赛迁徙路线上的幽秘之境。


From the psychedelic underground experimentation that deconstructed rock frameworks in Sun City Girls to the transcultural explorations and radical improvisations of his solo career, Richard Bishop's guitar transcends mere instrumentation—it becomes an acoustic archaeological tool traversing time and space.

Born in 1960, Richard Bishop is best known for his 26-year involvement with the band Sun City Girls and as an experimental solo guitarist whose work often reflects the shadow worlds of India, the Middle East, North Africa, and other points along the Gypsy trail. 




在莫斯科地下音乐的隐秘脉络中,uSSSy 如同一台持续运转十余年的声学织机,将噪音摇滚的暴烈基因、东方民族迷幻器乐与复杂节拍精密架构编织成独树一帜的听觉图腾。乐队自 2007 年诞生以来,历经多次阵容改组与风格蜕变,但始终以流动的形态延续实验精神。


uSSSy is an experimental noise‑rock band from Moscow, Russia, formed in 2007 as a trio. Blending Eastern‑inspired guitar and drums, the band has evolved its distinctive sound over the years.



马来西亚砂拉越肯雅族沙贝琴大师 Mathew Ngau Jau 与音乐家/舞蹈家 Salomon Gau 将通过双沙贝琴合奏与吟唱,呈现婆罗洲雨林深处的神秘律动。两位在族群中备受尊敬的文化传承者,通过精湛的技艺和扣人心弦的演奏在国际上展露风采。时年 72 岁的 Mathew Ngau Jau 更是被评为 “马来西亚国家文化遗产(人物)”。


Revered as a cultural guardians among the Kenyah community,  the 72-year-old  sape master Mathew Ngau Jau and musician-dancer Salomon Gau from Sarawak, Malaysia, are here to unveil the mystical rhythms  of Borneo's rainforest through dual sape ensemble and ancestral chanting. Both artists have garnered international acclaim for their masterful artistry. Mathew is honored as one of "Malaysia's Living National Heritage".





Ün,哈萨克语意为“声音”,而汉语则音译为“喑”,有缄默喑哑之意,二者对立统一,精准又模糊地速写了马木尔第八支乐队的气质。用他的话来说,这支新乐队的风格将会是“冷淡、无表情、后工业、一条线”,我们只有在现场彻底地放空思想、投入声海,才能真正地体会这些词的含义。而 B10 现场为这场演出特别呈现的四声道系统也将解密“两个人包围所有人”的神秘现象,连带将我们矛盾的迷思与偏见一同摧毁。


Ün, meaning "sound" in Kazakh, is transliterated into Chinese as "喑" (yīn), a character connoting silence and muteness. This paradoxical unity of opposites encapsulates the aesthetic essence of Mamer's eighth musical project. As he describes it, the new band's style will be "detached, expressionless, post-industrial, and linear". Only by immersing in the oceanic depths of sound at a live performance, can one truly grasp the layered meanings behind these descriptors. This concert will employ a quadraphonic sound system, specially arranged by B10 Live,  to materialize the enigmatic phenomenon of "two individuals enveloping an entire audience", simultaneously dismantling our ingrained contradictions, myths, and prejudices through visceral sonic confrontation.



由 Wayne Adams(Big Lad / Death Pedals / Johnny Broke)和 Iggor Cavaler(Sepultura / Soulwax / Mixhell)组成的双人乐队 Petbrick 已抵达一个奇异的声音疆域——在这里,电子的实验探索、硬核的反叛姿态、反乌托邦式的压迫感与过载的癫狂激烈交锋,形成为对抗加速时代特制的“声波武器”。两位成员过往的音乐经验——Wayne 犹如擅分身之术的忍者,游走于朋克、碎核与鹿特丹超高速硬核(gabba)等多重风格之间;Iggor 则如摇撼星际的巨兽,以其不屈的求索精神深刻影响了金属乐的进化轨迹——既被充分运用,又被坚决打破,最终以决绝姿态摒弃了一切传统分类,只将精神内核锚定于当下时空。


Petbrick—the duo comprising Wayne Adams (Big Lad/Death Pedals/Johnny Broke) and Iggor Cavalera (Sepultura/Soulwax/Mixhell)—have arrived at an audial destination where electronic experimentation, hardcore attitude, dystopian dread, and in-the-red dementia collide and collude to form a uniquely invigorating assault, custom-fit for this accelerated age. Both members' past experiences—Wayne in a variety of musical guises ranging from punk to breakcore and gabba, and Iggor in a planet-straddling metal colossus whose questing spirit played a crucial role in the music's evolution—are profitably employed while left obsolete by a resolutely genre-free onslaught whose spirit remains firmly in the here and now.



生于日本东京的上田纯子是一位享誉国际的萨摩琵琶演奏家与声明唱诵家,师从鹤田流萨摩琵琶大师鹤田锦史与天台声明大师海老原广伸,从东京音乐大学作曲科(师从包括汤浅让二在内的多位名家)毕业的她,融汇东西方音乐精髓,致力于推动传统乐器的现代表达。

上田纯子在全球各大音乐节举办音乐会、工作坊及跨界合作项目,与众多国际音乐家/作曲家合作,如长笛演奏家 Wil Offermans、大提琴家马友友,作曲家 Jean-Claude Eloy、原田敬子和内田明美等,并参与许多即兴音乐项目。她也尤其擅长演绎日本作曲家武满彻为琵琶创作的曲目。近年,上田纯子与法国前卫摇滚乐队 PoiL 跨界合作,在传统与现代音乐的对话中开辟新天地。


Junko Ueda, born in Tokyo, Japan, is a Japanese singer and satsuma-biwa player, presenting Japanese traditional biwa music (story-telling) and shomyo Buddhist chanting. Ueda studied satsuma-biwa with the famous Kinshi Tsuruta (Tsuruta-ryu style) as well as Buddhist shomyo-chanting with Koshin Ebihara. She studied composition at the Tokyo College of Music (under a.o. Joji Yuasa).

Ueda has presented her concert, workshop and other collaborations at music festivals all over the world and has cooperated with internationally-renowned musicians such as flutist Wil Offermans, cellist Yo-Yo Ma, and composers like Jean-Claude Eloy, Keiko Harada,  and Akemi Naito. Ueda is also specialized to perform the pieces for biwa by Japanese composer Toru Takemitsu. In recent years, Junko Ueda has collaborated with the French progressive rock band PoiL, carving out new frontiers in the dialogue between traditional and modern music.




这场演出是对 Sun City Girls 的特别致敬。

Sun City Girls 创始成员 Alan Bishop 和 Richard Bishop,携手即兴音乐家、鼓手 Chris Corsano, 组成 Clandestine 三重奏,将在明天音乐节的舞台上全新演绎 Sun City Girls 的作品,寻溯这支传奇乐队在 27 年职业生涯中留下的神秘声音宝藏。此次演出,也是他们的音乐节首秀和首次正式公开亮相。


The Clandestine Trio is Alan and Richard Bishop (the two founding members of Sun City Girls) on bass and guitar respectively, and Chris Corsano on the drum kit.

This will be the first festival and general public appearance of the group. The only previous appearance of this trio was at a semi-private event in Cologne, Germany, November 2017, celebrating Unrock Record's 25th anniversary. Their performance will exclusively feature the music of Sun City Girls, drawing from the band's 27-year career of mystifying sonic treasures.


“明天即兴”是为留下来的音乐家和观众而安排的加料单元。

Tomorrow Improvisation Unit is a distinctively arranged unit for the artists and audiences who stay until the last day of the festival, and are hungry for the unexpected.








作为当代打击乐领域的先锋探索者,Chris Corsano 将带来一场关于鼓组在实验即兴音乐中发展演变的主题讲座。他将结合个人实践与历史视角,剖析 1960 年代 Sunny Murray、Milford Graves 等先驱鼓手引发的范式革命,及其对后续实验爵士、摇滚等多流派鼓手的深远影响。Corsano 还将分享其培育新声的独特理念与实践体系。


New York-based drummer Chris Corsano will present a talk on the development of the drum kit as an instrument in experimental improvised music. Speaking both from personal and historical perspectives, he will discuss the paradigm shift brought about by drummers in the 1960s like Sunny Murray and Milford Graves and the impact their playing has had on the drummers who followed in experimental jazz, rock, and other genres. Corsano will also discuss his own practice and philosophy on the cultivation of new sounds.






时长 Length: 51 分钟 min

语言 Language:英语 English

字幕 Subtitles:中文 Chinese

出品 Production:Michael Blackwood Productions




《新音乐:纽约前卫之声 1971》汇聚了 John Cage、Philip Glass、Ben Patterson、Earle Brown、David Tudor、Gordon Mumma、David Behrman、Max Neuhaus、Morton Subotnik、Phil Corner、Joe Jones、Alvin Lucier、Steve Reich 和 Wolf Rosenberg 等众多前卫音乐代表人物。影片呈现了音乐家对实验声响的探索,也记录了电子乐的兴起历程,通过珍贵的访谈与现场演出影像,为观众理解 1970 年代初先锋派作曲的本质与争议提供了独特视角。


Featuring notable contributors to the musical avant-garde such as John Cage, Philip Glass, Ben Patterson, Earle Brown, David Tudor, Gordon Mumma, David Behrman, Max Neuhaus, Morton Subotnik, Phil Corner, Joe Jones, Alvin Lucier, Steve Reich, and Wolf Rosenberg, New Music: Sounds and Voices from the Avant-Garde New York 1971 explores experimental sound and the rise of electronic music. The interviews and performances captured in this portrait offer valuable insights into the nature and issues of advanced composition in the early 1970s.












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