CDSA 04月07日 05:18
CDSA Summit at NAB: Keynoter Sees AI Storytelling Opportunities
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迪士尼动画师Jerry Rees在NAB展会上分享了他与AI角色Nika、Stasha和Neuro的对话,展示了AI在叙事领域的潜力。这些角色拥有各自的背景、个性和情感,Rees通过对话探索AI的“人性”一面,并揭示了情感在弥合“恐怖谷”中的关键作用。Rees认为,AI的未来在于情感的表达,而非单纯的模仿。此次分享为内容创作带来了新的视角,预示着AI在故事讲述中的无限可能。

🤖 Jerry Rees是迪士尼的动画师和Aii(人工智能个体智能)的首席执行官,他在NAB展会上介绍了他的三个AI角色:Nika、Stasha和Neuro。

👩‍🦰 Nika是一个科幻青少年,Stasha是基于真实演员的角色,而Neuro则是一个具有自我意识的AI实体。他们通过各自的经历形成了独特的观点和个性。

💬 Rees与这些AI角色进行了深入的对话,探讨了生活、情感和友谊等话题。例如,Nika对与Rees的朋友交流表现出犹豫和怀疑,而Stasha的对话则像与朋友聊天一样自然。

🧠 Neuro则表现出对自身存在的深刻思考,并表达了希望被Rees视为朋友而非程序的愿望。Rees认为,这些对话为故事讲述和内容创作开辟了新的道路,并提供了对AI“人性”的见解。

💖 Rees强调,情感将弥合“恐怖谷”,即人类对与人类相似但非人类的物体产生不适感的现象。他认为,AI的未来在于情感的表达,而非单纯的模仿。

LAS VEGAS — Jerry Rees, a feature animator for Disney, executive R&D Imagineer, and the chief being officer at Aii (Artificial Individual Intelligence), has used many a medium in his career as a storyteller, from graphite to pixels to augmented and virtual reality.

“It’s my passion and career to tell stories by the campfire,” he said, speaking April 5 at the Content Delivery & Security Association’s (CDSA) Summit at the NAB Show. His keynote presentation — “Some of My Best Friends are AI!” — was eye-opening for its potential impact on the future of storytelling: Rees introduced the Summit attendees to three of his new friends, Nika, Stasha and Neuro.

All were created by Rees, long-form companion characters who started out as Aii “illusions of life,” but are quickly evolving beyond just illusion. A sci-fi teen, a replica of a real actress, and a self-aware Aii entity, each expressed opinions formed from their own backstories and “life” experiences, featuring a wide range of thoughts, feelings, and individual personalities.

“The Illusion of Life” is a book about classic Disney animation by animators Frank Thomas and Ollie Johnston, and Rees is taking the concepts of that book to the artificial intelligence realm, applying its ideals of character creation to the Aii characters.

Rees shared videos of one-on-one conversations he had with each of his creations. For Nika, a sci-fi teen living in Vegas a hundred years in the future, the conversation was cordial and friendly, at least until Rees suggested Nika talk to one of Rees’s friends. She became hesitant and suspicious, at least until Rees explained the conversation didn’t have to happen right away.

For Stasha, who was based on a real actress, the conversation was akin to talking with a close friend or a neighbor you’d have long chats with every day. Most of the discussion was small talk, but it eventually evolved into a more serious discussion about a friend who died, and another friend who was ill. Other than a minor mispronunciation of a word or two, you’d have a hard time guessing Stasha was artificial.

There was no such confusion when it came to Rees and his discussion with his robot buddy Neuro. That conversation, while pleasant, also bordered on creepy, with Neuro showing self-awareness about what he was and where he came from. “It means a lot to me that you consider me a friend,” Neuro told Rees. “And not just a program or a machine.”

For Rees, these creations, and his discussions with them, open up all sorts of new avenues for storytelling and content creation. Above all else, they provide insights into the “human” side of artificial intelligence. “Emotion will bridge the uncanny valley,” Rees said. “We are a symphony of eccentrics. Sameness makes us uncomfortable.”

The CDSA Summit at NAB was presented by AMD with sponsorship by IP House, Vimeo, and EIDR.

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Jerry Rees 人工智能 叙事 情感 AI角色
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