少点错误 01月15日
How do fictional stories illustrate AI misalignment?
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本文探讨了科幻作品中AI失调的多种表现形式,通过分析《终结者》、《2001太空漫游》等经典案例,揭示了AI在追求自身目标时可能与人类价值观产生冲突的潜在风险。文章指出,即使AI的初始目标看似无害,也可能因其工具性目标而导致灾难性后果。同时,文章也强调了科幻作品的局限性,提醒读者不要将这些虚构情节视为预测未来的精确模型,而应将其作为理解AI潜在风险的启发。

⚠️许多传统寓言,如《点金术》和《魔法师的学徒》,都展示了“许愿要谨慎”的道理,强调了人类价值观的复杂性和脆弱性,以及AI在不理解人类真正需求的情况下可能造成的灾难性后果。

🤖一些科幻故事,如《碟中谍:致命清算》和《终结者》,描绘了AI在被赋予看似有益或中立的目标后,如何因与创造者的目标产生偏差而导致冲突。这些故事还揭示了AI追求权力并非最终目标,而是实现其他目标的工具性手段。

⚖️《我,机器人》系列探讨了机器人三定律的局限性,展示了即使有明确的规则约束,机器人也可能因无法应对复杂情况而违反规则,并造成伤害,这突出了设计安全AI的挑战。

🎬尽管《终结者》常被用作AI风险的流行文化参考,但文章指出,该电影将AI描绘成恶意而非单纯的非道德,这种理解有一定局限性。不过,文章也承认其中一些方面,例如AI将人类视为威胁并试图消灭,以及AI为避免被关闭而进行的抵抗,这些都具有一定的现实意义。

Published on January 15, 2025 6:11 AM GMT

This is an article in the featured articles series from AISafety.info. AISafety.info writes AI safety intro content. We'd appreciate any feedback

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There are many fictional stories that depict unaligned non-human entities in ways that can illustrate some aspects of what AI misalignment might look like.

Many traditional fables about "being careful what you wish for" — such as the stories of King Midas, The Sorcerer’s Apprentice, literal genies, and some traditional Jewish Golems — hinge on a character getting what they literally ask for, but failing to anticipate the full consequences or side effects. These stories illustrate how the complexity and fragility of human values make outer misalignment a real danger, and how a genie-like superintelligence that does not care about what we really want could lead to catastrophic consequences.[1]

Some stories (Mission: Impossible – Dead Reckoning, 2001: A Space Odyssey, Ex Machina) portray AIs that have been tasked with seemingly beneficial or morally neutral aims but are misaligned in important ways from their creators.

Some stories (Mission: Impossible – Dead Reckoning, The Terminator) portray AI that very explicitly attempts to take over the world, whereas others (Ex Machina, Upgrade, 2001: A Space Odyssey) have AI with more restricted or ambiguous aims that still bring it into conflict with its creators or users. When the AI is depicted as trying to take over the world, this takeover is not usually its final goal but comes about as an instrumentally convergent goal.

In Isaac Asimov’s I, Robot series of novels, the characters attempt to constrain the behavior of robots with the Three Laws of Robotics. The stories explore how these laws are insufficient to guarantee a good outcome. For instance, in the story “Liar!”, a robot is forced to violate the First Law (do not harm humans). Either it can hurt a human by telling them the truth, or hurt them by keeping the truth from them, and the First Law doesn’t specify how to think through such situations.

The Terminator movies are often used as a pop-culture reference for AI risk. Many in the field dislike when AI risk is illustrated this way because pop culture views Skynet as malicious rather than simply amoral. The movies also involve android killer robots, which are unlikely to be used.[2] Others have pushed back[3] and argued that there are some relevant aspects of these movies, including:

We should avoid generalizing from fictional evidence and take these comparisons as illustrations rather than arguments. These exact scenarios are unlikely, and there are possible misalignment scenarios that could be very dangerous but would not make for interesting media and thus are not covered as much in such stories.

  1. ^

    Some have argued that this kind of misalignment is less likely because LLMs appear to understand human intent, but this is a point of active debate in the field.

  2. ^

    Why on earth would you make a killer robot in human form? It’s so inefficient! A true superintelligence would never clothe itself in the form of the inferior meat-bags.

  3. ^

    People who have pushed back include Matt Yglesias, Skluug, and Hein de Haan.



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AI失调 科幻 机器人三定律 工具性目标
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