Mashable 2024年12月14日
The War of the Rohirrim finds another use for the The Lord of the Rings eagles
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《指环王:洛希尔之战》动画前传聚焦洛汗国王圣盔·锤手与邓兰丁领主沃尔夫的战争。在圣盔堡被围困期间,圣盔去世后,他的女儿赫拉承担起领导责任。为了向堂兄弗雷亚拉夫求援,赫拉冒险寻求一只巨鹰的帮助。这只巨鹰成功将圣盔的头盔和盔甲送达,鼓舞了弗雷亚拉夫的军队,最终击退了沃尔夫的军队。影片中巨鹰不仅是剧情工具,更是赫拉角色成长的重要象征,展现了她作为领导者,敢于跨越种族寻求帮助的品质。编剧巧妙地将巨鹰元素融入故事,使其成为赫拉成长旅程中不可或缺的一部分。

🦅 巨鹰在《洛希尔之战》中并非简单的“空中出租车”,而是作为关键的信使,帮助赫拉向外界传递求援信息,这与《指环王》正传中巨鹰的形象有所不同,展现了巨鹰在战争中的新用途。

🛡️ 赫拉在绝境中寻求巨鹰的帮助,这一情节并非原创,而是编剧团队为了深化赫拉的领导者形象而做的改编。她与巨鹰的联系,从影片一开始她喂养雏鹰就埋下了伏笔,象征着她从雏鸟成长为领导者的过程。

🤝 赫拉寻求巨鹰帮助的举动,体现了她作为领导者愿意跨越种族寻求帮助的品质,这与传统战争片中“战争领主”的形象截然不同,展现了赫拉的独特之处和她坚韧的性格。

It's the question Lord of the Rings viewers have been asking ever since Peter Jackson's trilogy came out: Why didn't Frodo and the Fellowship just ride eagles into Mount Doom?

The reasons are fairly simple. A flock of Great Eagles flying into Mordor would have immediately wrecked the secrecy the Fellowship strove for. Plus, the eagles just aren't a long-haul taxi service. However, if you still aren't satisfied with these answers — or you just crave more eagle action in your Middle-earth movies — then The Lord of the Rings: The War of the Rohirrim is here to tide you over.

How are the eagles involved in The Lord of the Rings: The War of the Rohirrim?

This anime prequel from director Kenji Kamiyama focuses on the war between Rohan's formidable King Helm Hammerhand (voiced by Brian Cox, Succession) and vengeful Dunlending Lord Wulf (voiced by Luke Pasqualino). The conflict takes Helm, his daughter Héra (voiced by Gaia Wise), and the people of Rohan to the Hornburg stronghold, where they must weather a months-long siege and a brutal winter.

Desperation rises as the siege progresses, especially once Helm passes away. Forced into a leadership role she didn't anticipate, Héra makes a bold decision. She seeks the aid of a Great Eagle who lives high above the Hornburg, in the hopes of getting a message to her cousin Fréaláf (voiced by Laurence Ubong Williams) and his army at Dunharrow fortress.

Against all odds, the plan succeeds. After Héra implores the eagle for help, it brings the late Helm's helmet and armor to Fréaláf. He then wears it in his army's assault against Wulf's forces. The image of him in Helm's armor, silhouetted against the moon, is enough to make Wulf's men turn tail, thinking they've seen a ghost. None of this would have been possible without the help of the eagles! And while we don't get full-on eagle riding, we do get messenger eagles — a new use for them onscreen in Middle-earth.

The eagle in The War of the Rohirrim is more than a plot device.

Eagles aren't originally present in J.R.R. Tolkien's description of Helm and Wulf's war, which spans about a page and a half in The Lord of the Rings' Appendices. (Likewise, Héra herself is expanded from an unnamed bit part to a lead role.) But for screenwriters Phoebe Gittins and Arty Papageorgiou, Héra's reliance on an eagle wasn't just a nod to the eagles' usefulness as plot devices. It was also a key character beat for her in her journey to becoming a leader.

"It was super important that Héra really earned that moment," Papageorgiou told Mashable.

The eagle's involvement was an idea passed to Gittins and Papageorgiou from Kamiyama and producer Philippa Boyens, who co-wrote The Lord of the Rings films. (Gittins is also her daughter.)

"We approached [the eagles] as embedded storytelling," Gittins told Mashable. "We knew that it was a storytelling device that [Kamiyama and Boyens] wanted to use. So how do we make it believable that this a course of action Héra would take?"

Gittins and Papageorgiou laid the groundwork of the eagle moment from Héra's first scene, in which she summons a fledgling and offers it meat. The sequence establishes Héra's love of the natural world and her connection to the eagles, but there's a further symbolic kinship between her and the eagle. Like it, she's a fledgling at the start of her journey. She'll have to grow leaps and bounds by The War of the Rohirrim's end if she is to become the leader her people need.

Which brings us to the moment at the end of the siege, when Héra decides to find the eagle (fittingly, the fledgling from the start, all grown up). It's a last-ditch attempt, but there are no other options. No messenger birds can make it out of the Hornburg, but this eagle may just be the one bird Wulf's men can't shoot down.

For Gittins and Papageorgiou, Héra's willingness to reach across entire species in order to save her people spoke volumes about her character, and really solidified who she was as they worked on the film.

"What type of protagonist were we going to have in this film?" Papageorgiou said. "It wasn't a war lord.

Added Gittins: "It was someone who had the strength to ask for help."

The Lord of the Rings: The War of the Rohirrim is now in theaters.

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指环王 洛希尔之战 巨鹰 赫拉 战争
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