Fortune | FORTUNE 2024年11月24日
How streamers helped designer Malin Leschly on her ‘winding path’ to become Logitech’s chief design officer
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罗技首席设计官Malin Leschly探讨了人工智能在内容创作中的应用,以及如何将可持续发展融入产品设计。她认为AI可以成为设计师的工具,帮助简化内容编辑,例如Streamlabs推出的AI游戏集锦功能,但需避免过度依赖AI导致创意缺失。同时,罗技注重用户需求,例如针对亚洲用户推出的Casa升降桌,体现了将限制转化为机遇的设计理念,也观察到年轻一代用户在工作和娱乐之间日益模糊的界限,例如将游戏键盘带到办公室等趋势。

🤔罗技通过其子公司Streamlabs推出“AI游戏集锦”功能,利用AI自动将Twitch直播转换为短视频,方便用户在其他平台分享,缓解了主播们对内容编辑的负担。

💡Malin Leschly认为AI是设计师的工具,如同Photoshop和虚幻引擎,但过度使用AI会导致创意缺失,设计需要兼具创意和工艺。

♻️罗技注重可持续发展,在产品包装上标注碳排放量,并通过Casa升降桌等产品,使用更多可回收材料,降低产品碳足迹。

🌏罗技关注亚洲用户需求,例如Casa升降桌的设计源于亚洲用户对灵活办公空间的需求,以及年轻一代用户将游戏键盘带到办公室的趋势。

🎮罗技观察到年轻一代亚洲用户工作与娱乐界限日益模糊,他们更注重个性化和舒适的体验,例如选择自己喜欢的游戏键盘在办公室使用。

Malin Leschly, Logitech’s chief design officer, earned her chops at the hardware company by working for a demanding set of customers: Livestreamers. “Streamers want to look good, they want to sound good, and they want to have control over what they do,” she says. Now, just over half a year into her role as Logitech’s CDO, Lechsley is exploring how the company can use AI to make life a little easier for content creators. In September, Logitech, through its Streamlabs subsidiary, released an “AI Game Highlighter” that automatically converts livestreams on Twitch into shorter clips that can be shared on platforms like YouTube, X and Instagram. “It’s an opportunity where we can see if AI can be helpful,” she says. Streamers, for example, consider editing their content to be “worse than schoolwork.”Winding pathLeschly took over as Logitech’s chief design officer in April, replacing Alastair Curtis, who’d spent a decade at the firm. The hardware company has long prided itself on its design focus, with former CEO Bracken Darrell speaking openly about the design process at the center of the company.The designer took a “winding path” to the hardware company, she says. Leschly grew up in Sweden, where “pretty much any experience you have is designed.” She arrived in the U.S. to attend business school in the late Nineties. “California got its teeth in me,” she explains. Leschly bounced around startups and design agencies, including a stint at design studio Non Object, which worked on the UE MEGABOOM, a bluetooth speaker whose design is now “widely copied on almost any Bluetooth speaker on the market.” Leschly joined Logitech when the hardware manufacturer acquired Non Object in 2018. “It wasn’t a big leap to move from smaller companies or a small studio to Logitech,” she remembers. Logitech is now barreling into the AI trend, integrating the new technology into its many products and services. Earlier this year, Logitech modified its computer mice by adding a dedicated “AI Prompt Builder” button, which automatically launches the generative AI program ChatGPT with preset prompts. AI is a controversial technology in the design space, as critics argue it rehashes old ideas, reinforces existing biases and, importantly, puts humans out of work. Leschly however sees AI as the latest in a long series of tools for designers, like Adobe Photoshop and Epic Games’s Unreal Engine. Still, she agrees that overusing AI has risks. Design is “craft and creativity,” she says. “If AI is all about doing the same thing over and over again, there’s no creativity in that. There’s no positive, meaningful surprise.” “We can’t use AI in that way,” she says. ‘Constraints into opportunities’In 2023, Logitech pledged to include on each product’s packaging the total carbon emissions generated over its lifespan. It’s part of a sustainability push for the hardware company, known for its peripherals ubiquitous in offices the world over.Sustainability fits into Leschley’s design philosophy of trying to turn “constraints into opportunities.” For example, Logitech’s Casa pop-up desk, released last year, uses around 80% recycled plastic in its touchpad and 60% in its keyboard. Both wireless peripherals are packaged with a laptop stand; Logitech pitches the combined products as an easy way for users to work from any surface in the home.“We reduced the carbon footprint of this product by more than a third,” she says. Courtesy of LogitechThe Casa desk is also notable in being derived, at least in part, from the needs of Logitech’s customers, particularly those in Asia. “Many people neither have the space nor the desire to have a desk.” she says. “It was very true among women. They wanted to move around in their homes.”That’s not the only observation Logitech’s drawing from its Asian users. Leschly notes that younger Asians are now “blurring” work and play. The latest thing her team is noticing? Younger employees are bringing their gaming keyboards into the office, rather than relying on the standard cookie-cutter model. For these users, a comfortable keyboard is “like finding your favorite sweater,” Leschly says. “They love the typing experience!”Fortune’s Brainstorm Design conference is returning on Dec. 5 at the MGM Cotai in Macau. Panelists and attendees will debate and discuss “Experiments in Experience,” designs that blur the line between the physical and digital worlds to captivate users and foster lasting connections. Register here!

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